2010 - Albums Of The Year (Top 10)

Numbers 20 - 11 are here...

Now prepare yourself for the horror that is my Top Ten...


10. Manic Street Preachers - Postcards From A Young Man

I really do not get "embedding disabled by request" on youtube. Why would the record companies not want me to cross-promote their songs? Could they be scared someone might hear it and actually want to buy a copy? It's another ridiculous example of copyright law being used to shoot yourself in the foot, and I expect more from the Manics. I reckon there's more chance of you clicking play on an embedded video than clicking a link to that video - it's only a couple of extra clicks, but we all have such a fast-paced, "feed me now" lives, those two extra clicks are a great big wall of stop. I mean, you've already quit reading this paragraph because it's gone on for more than 5 lines, haven't you? Your granny's a whore. See? Nobody even flinched.

Anyway, the new Manics album. I liked it much more than the last one (the one all the real Manics fans loved because it used up all Ritchie's old lyrics) but not as much as the one before (the one with tigers).

9. Titus Andronicus - The Monitor

No, I never wanted to change the world,
But I'm looking for a new New Jersey
Because tramps like us, baby, we were born to die

Any band that quotes Billy Bragg and Bruce Springsteen within two consecutive lines... well, you know they've got me, right?

While The Gaslight Anthem sounded more and more like a Bruce tribute act this year, Titus Andronicus took the Born To Run spirit and fired it with a punk ethos that... shit, I hate it when I sound like a music journo.

This is ace. Click play now.



8. Dan Le Sac Vs. Scroobius Pip - The Logic Of Chance

What's this? Hip hop? Electronica? Rap? In my Top Ten? Surely this is taking up space that could be given to more landfill indie or another sad old bastard songwriter? What the fuck is wrong with me?

I first became interested in the songwriting of Scroobius Pip with his masterful list song Thou Shalt Always Kill. It made me laugh and touched a nerve, but I really didn't expect to enjoy a whole album of this stuff.

Guess what?

(The song below offers further explanation.)



7. Babybird - Ex-Maniac

Babybird? Ah, that's more like what you expect. Obscure one-hit wonder Britpop losers long past their sell-by date. From Sheffield too!

Actually, I was never a huge Babybird fan. I've liked a few of his songs, but never fallen for a whole album. This one took me by surprise. I liked the lead single, Unlovable, enough to give it a shot - and boy, was I glad I did. There's honesty, wit and a refreshing lack of cliche about his songwriting, particularly on tracks like Failed Suicide Club, the heartbreaking Rest Of Our Lives (one of my Songs of the Year) and the Daily Mail-baiting Like Them...



6. Justin Currie - The Great War

More mature songwriting and world weary cynicism from the ex-Del Amitri bloke, now writing the strongest material of his career.

I stand on a mountain of pitiful prose
My mind is a fountain that pointlessly flows
They give you a trophy if you make the kids scream
But it's such a joke to me; how insipid I've been.

I hate the world they gave me,
I hate the world they gave me

In Morrissey's absence, Justin Currie will be writing the story of my life this year.

Sigh.



5. Eels - Tomorrow Morning

More and more artists are shaking off the shackles of big corporate record deals (a new album every two years, please) and catering to a smaller, loyaler fanbase with far more frequent releases. E has released two albums this year (three in the last 18 months), and like James before him they were thematically linked. While Tim Booth & co. gave us an upbeat Saturday night record followed by a laid back Sunday morning, E gave us an album of heartbreak (End Times) followed by this... his most positive and forward-looking record to date.



4. Frank Turner - Rock 'n' Roll / Poetry Of The Deed

My most important musical find of 2010 (Amanda Palmer was second), Frank Turner is another artist who combines the fire, lyrical nous and inspirational self-belief of young Bragg and Springsteen to show-stopping effect. He sings every song like his life depends on it. Our lives too. The sort of artist who doesn't need to carve 'For Real' into his forearm... he just is.

Strictly speaking, Poetry Of The Deed was released in 2009 (though Frank was still promoting it and releasing singles from it in 2010) and Rock 'n' Roll is a mini album, what they used to call an EP. But Frank Turner has been such an important discovery for me this year (his previous albums Sleep Is For The Week and Love, Ire & Song are also worthy of investigation), he deserved a place on this list. Very excited to hear what he does next.



3. Bruce Springsteen - The Promise

Another record that, strictly speaking, shouldn't really be here. After all, the tracks on this double album were mostly recorded in the mid-70s in preparation for Bruce's follow-up to Born To Run, Darkness On The Edge Of Town. You know the story by now... and if you don't, I doubt anything I say will make you care.

What strikes me most about listening to this record is how much bigger a pop star Bruce could have been in the 70s (prior to his eventual worldwide breakthrough in the 80s). Rejected songs like Fever, Because The Night and Someday We'll Be Together would have been massive radio hits, far more so than any of the tracks he actually chose to release. But that just wasn't where he wanted to be at that point in his career... you've got to respect that.



2. Ben Folds & Nick Hornby - Lonely Avenue

These days, Ben Folds seems to do his best work when he's working with somebody else. The Shatner album was inspired insanity, but hooking up with author Nick Hornby gave him possibly the strongest record of his solo career. A selection of short stories, from the heartwarming biog-song of Doc Pomus to a blues track based on Sarah Palin's unwanted son-in-law Levi Johnson ("I'm a fuckin' redneck, I live to hang out with the boys, Play some hockey, do some fishin' and kill some moose") to the self-loving/self-loathing delights of A Working Day ("Some guy on the net thinks I suck and he should know - he's got his own blog.")

And then there's this... Belinda... my song of the year...




1. The Indelicates - Songs For Swinging Lovers

They did it again.

Scoring my favourite album of 2008 with their debut, American Demo, the Indelicates returned to prove there's no such thing as Difficult Second Album Syndrome (and they're already working on their third). Broadening their musical horizons in all kinds of different directions (if I were a true muso, I'd namedrop Kurt Weill and the like - but what do I know about these things?), this is further proof of their genius. Witty, angry, iconoclastic, tender, surprising, joyful, intense, uncompromising... etc. etc. etc.

The most exciting band of the 21st Century.

Why aren't you listening to them?

Download the album direct from their website - you can even choose how much you pay. Anything less than the entire contents of your bank account and you're getting a bargain.









Happy New Year, folks - see you on the other side.

August Listening

So what am I listening to at the moment? You know you want to know.

First though, for everyone who found themselves staggering under the weight of all that relentless misery last week... This Is A Happy Song by Superman Revenge Squad.



I always found Guillemots a rather frustrating band. They lured me in with classic indie pop singles like Made Up Love Song #43 and Annie, Let's Not Wait then bored my pants off with half-arsed albums full of much beard scratching and muso-noodling. I always felt songwriter Fyfe Dangerfield had great potential... and he's taken a step closer to realising that on his new solo album Fly Yellow Moon.

Earlier this year Fyfe scored an actual Top Ten hit, albeit with a cover of Billy Joel's old cheesefest She's Always A Woman, as featured in some TV ad or other. That's been stapled onto subsequent reissues of the album, but there are far stronger songs here (and songs which fit Fyfe's delicate voice much better - rather than straining to hit some of Billy's notes). When You Walk In The Room, She Needs Me, and this... all good stuff.



Earlier this year, former Delgado Emma Pollock released her second solo album, The Law Of Large Numbers. I remember commenting that certain songs on her previous record (Watch The Fireworks - my 9th favourite album of 2007) reminded me of mid-period Elvis Costello. That's truer than ever here, many of these tracks could fit snugly onto Mighty Like A Rose or Spike... though Emma's got a much sweeter voice (no offence, Declan).



Eddie Argos is back again! Not with Art Brut, not with The Glam Chops, not even with Everybody Was In The French Resistance... Now, but with yet another side-project, this one aimed squarely at comics fans... Spoiler Alert! Eddie is a particular fan of DC's old JLI comic book - i.e. The Justice League when they were funny (and worth reading), and the first Spoiler Alert! EP features songs about Booster Gold, Blue Beetle and Batman. Available to download for peanuts (you choose how many peanuts) right here.

I used to have this theory that The Divine Comedy got better with each album, in inverse proportion to how many people were buying their records. Much as I still love Neil Hannon, he's tried his best to disprove that theory with Bang Goes The Knighthood. It's a fine record, featuring many good songs, but doesn't quite scale the heights of Victory For The Comic Muse or Absent Friends. It does however feature the first decent song I've heard about the financial crisis...



A recent Radio 2 documentary on Laurel Canyon in the 60s stirred my interest in loads of old hippy songwriters, including Jackson Browne, Joni Mitchell and Crosby, Stills & Nash. Though I'm more familiar with the work of their occasional fourth member Mr. Young, I've been enjoying their mellow greatest hits collection. And boy do I know where Fleet Foxes nicked all their tricks now.



Dresden Doll Amanda Palmer has released an EP of old Radiohead songs played on her magical ukulele. There's a real ukulele resurgence going on at the moment - Louise just bought one, then there's the Ukulele Orchestra of Great Britain... even Dan's getting in on the act. Radiohead on the ukulele really shouldn't work... and yet, it does. Creep in particular is a work of twisted genius. Download the EP from Amanda's website, Amanda Fucking Palmer dot net.



New Jersey's favourite Bruce-influenced band The Gaslight Anthem are also back with a new record American Slang, and while it's not quite as barnstorming as The '59 Sound it does make me want to go tripping down the boardwalk then sleep on the beach at midnight. They still sound like a tribute band though. A more interesting bunch of Springsteen groupies are Titus Andronicus whose debut The Monitor roars out of Jersey louder and punkier than anything you'll ever hear on E Street. I'm still undecided on whether this is a good thing or not, but they certainly nail their colours to the mast with this song, paying debts not only to the Boss, but to Billy Bragg as well...

"No I never wanted to change the world, but I'm looking for a new New Jersey...
'Cause tramps like us, baby we were born to die."

Finally, an oldie but... well, an oldie. When I was 14, I thought Dire Straits were pretty cool. Then, like much of the rest of the world, I decided categorically they weren't. Now... many, many years later... I might actually be coming round to cool again. Yes, Mark Knopfler looks like your dad's stupid mate with the Ford Capri, but this is a great song whatever...