Sgt. Colter Stevens has just 8 minutes to discover who bombed a Chicago passenger train in order to help prevent future attacks. In theory, he gets as many shots at the eight minutes as he needs. Though like all the best time travel adventures, time is running out...
Equal parts Quantum Leap, Groundhog Day and Eternal Sunshine Of The Spotless Mind, Duncan Jones's Source Code is my favourite film of the year so far. It manages to mix against-the-clock thriller with psychological mystery, plus also finds time for a very sweet romantic subplot. Like Jones's previous film, Moon, the less you know going in, the more you'll enjoy it. It has been the subject of much post-film debate in our office, though I will argue in defence of the majority of the time travel logic at work here (despite unreliable narrator Jeffrey Wright's dogged insistence that it isn't time travel) and the unexpectedly upbeat ending. Both worked for me, making this a movie experience that was equally thought-provoking, surprising and heart-warming.
Beyond the complex storyline and edge-of-your seat pace, the cast was perfect. Jake Gyllenhaal has floundered somewhat recently (Prince of Persia?) but this was as confident a stab at leading man as he's yet delivered - made me think of the first time I saw Matt Damon play Bourne... which is interesting as Gyllenhaal is rumoured to be pencilled in as Damon's replacement in that franchise. He was supported by two of the most naturally beautiful actresses currently working in Hollywood - Michelle Monaghan and Vera Farmiga, both providing warm and emotive turns. And then there's Jeffrey Wright, doing his very best 'creepy Orson Welles' impersonation in a role that's sure to gain him more attention. The first film this year that I've wanted to go right back in and watch again from the beginning, and a must-add to my DVD collection when that time comes.
