Anyone who's read John Ajvide Lindqvist's previous novels, Handling The Undead and Let The Right One In will know that he's an author hugely influenced by Stephen King at his best. We see this again in the opening chapters of Harbour as Lindqvist introduces us to a strange community who make their home on Domarö, a haunted island in the Stockholm archipelago. There's Anders, whose six year old daughter disappears into thin air on a walk to the lighthouse. There's Simon, an old magician and escapologist who keeps a spooky insect in a box that gives him supernatural abilities. There's Anna-Greta, Anders' grandma, a former smuggler who knows far more about the terrible history of Domarö than she's letting on. And there's Elin, a former Reality TV beauty who's determined to make herself ugly. All great characters, given plenty of back-story while the mystery of Domarö deepens, long before the horror begins.
Anders' daughter Maja isn't the first person to disappear on Domarö, and she won't be the last. But what happens when the missing start coming back? Harbour builds to an exciting and shocking first act climax involving two old ghosts called Henrik and Bjorn, homicidal Smiths fans who ride the island on a spooky moped, quoting Morissey lyrics and causing panic wherever they go. Unfortunately, the novel loses much of its momentum in the second half and drags towards an unsatisfyingly metaphysical ending. It's just like Stephen King... at his worst. But don't let that put you off. Harbour remains a fascinating, engrossing and emotionally gripping read, and you may have more time for the climax than I did. It's worth reading for page 347 alone, where Anders breaks down while listening to a cassette of an old Swedish comedian. Lindqvist has a powerful understanding of how pop culture affects us even at the lowest points of our life, and how sometimes it's all that keeps us going.
