Senin, 08 November 2010

Catching Up


Between going to That London, editing my latest novel (which I've now decided is finished, bar the tinkering, and will be much shorter than originally planned, but hopefully much better for it), writing stories for Friday Flash and Thoughtballoons, and setting up a fake Twitter account to take the piss out of the most annoying man on telly (don't tell anyone it's me)... I've gotten a little behind on my usual blogging subjects. So here's a quick catch-up of some of the things I've seen, done, read and listened to lately...


You know when you see a film and you LOVE it, even though you know it could be much better? RED is the best could-be-much-better film I've seen all year. It's a little slow in places. A little corny. And Helen Mirren is - surprisingly - not very good. But... it has real heart, which is rare for an action movie. The opening sequence is exceptional. Bruce Willis really underplays it - not a smirk in sight. Mary Louise Parker is both hilarious and beautiful (and unlike a lot of women in Hollywood, seems to be maturing without the aid of botox). Malkovich hams it up like he's in panto. Karl Urban proves Bones wasn't a one-off scene-stealer. And amazingly for a film adapted from a Warren Ellis comic, this is the least cynical Hollywood movie I've seen in years. It's a heartwarming feel-good action romp like they don't make any more. No, it's not perfect, but it's a lot of fun. And a damn sight better than The Expendables.


Slightly less feelgood, though still enjoyable in its own way, is the "Lesbian Moms" flick The Kids Are All Right. Mark Ruffalo steals this one with his laidback manchild routine. Much as I admire Julianne Moore and Annette Bening, there's something insufferably smug about their characters that almost tips this film into annoying. Almost, but not quite. It's an adult relationships comedy that does some amusing things, though I really can't credit the Oscar buzz. And it has been saddled with the rubbishest film title of the year - what, they just put The Who on random play and picked the next song up? What was wrong with "My Two Moms"?



Lloyd Cole's new album Broken Record is garnering some of his best reviews in years. I suspect it's down to the fact that Lloyd's dragged a full band along with him this time rather than playing the acoustic troubadour card. I've seen him do that one-man-and-his-guitar act quite a bit over the last few years and it never grows tired... but seeing him perform his greatestest hits (plus the best of the new stuff) accompanied by two other fine musicians really was a treat. Some of the best guitar work I've heard in a long time. No drums though, he hates taking drums on tour - far too much hassle! I don't love Broken Record quite as much as I did 2003's Music In A Foreign Language, but it does feature Lloyd at his literate, world-weary best. Highly recommended, particularly if you get the chance to see it performed live.



I've mentioned the Ben Folds / Nick Hornby collaboration before, but it's worth another plug as it's fast becoming one of my favourite records of the year. Particularly their tribute to veteran songwriter Doc Pomus...


Finally, Comic of the Week comes from my sometime PJANG #4 collaborator, Ryan Taylor. The Grinning Mask is a fun tribute to the old EC horror comics, down to its Frederick Wertham-inspired title. Childhood hi-jinks meet scary monsters - excellent work from Ryan on story and art. Find out more about The Grinning Mask here.

Speaking of PJANG... issue #5 will be heading to the printers shortly, with not one but TWO covers by Nige Lowrey. Here's the first, based on the strip 'The Ex-Men', illustrated by Kelvin Green, to whet your appetite. Second cover to follow soon...


Minggu, 07 November 2010

OCEAN HEAVEN (HAIYANG TIANTANG) (2010)

MyRating: YYYY

Director: Xue Xiaolu
Cast: Jet Li, Wen Zhang, Kwai Lun-mei, Zhu Yuanyuan, Dong Yang

A moving story about Wang Xingchang (Jet Li), a terminally ill single father due to 4th stage liver cancer, working as a technician at Qingdao Polar Ocean World, who attempts to find his 21 year-old autistic son, Dafu (Wen Zhang), a suitable home before he passes away. Wang also tirelessly teaches his son the necessary life skills in order for him to survive on his own, including hanging keys, changing shirt, boiling eggs, recognizing money, and taking a bus. Meanwhile, as an autistic person who is difficult to concentrate and only like to play, Dafu finds it difficult to master even the very basic skills. His main interest is swimming, as he is an expert swimmer, and playing with dolphins in his father's workplace. However, Wang knows that he has to finish his tasks before his time comes, no matter what, and every single moment left that he shares with his son is the moment that could never be repeated again.

This 7 Million Yuan (1 Million U. S. dollars) Chinese-Hong Kong film is the first movie where Jet Li got his full drama role. As a long time fan of Jet Li and his martial arts movies (especially his old Hong Kong films), and the promising drama theme that this movie offered, I was waiting to see this. And what I saw was a deeply moving and heart-touching movie.

Jet Li successfully comprehended and pulled his role heartily as a noble father, whose sacrifice and unconditional love for his son was very inspiring. He did not have one single punch or kick in this movie, but his acting will show you another side of him. A shy man, and brittle due to his sickness, but he also has a strong determination in his heart to do and fight the best for his son. You will feel sorry for his dying condition, but at the same time you will also feel sympathy for his character, with his limitedness as a human being and all his struggling to give his son a better place and a better future. And this is the same guy that you usually see him kicking other people's ass. A good job done by Jet Li.

While as the autistic son, Wen Zhang, a Chinese actor, gave a pretty impressive performance as Dafu. He played his character naturally as that of an autistic person, without over played it. Walking in straight lines, waving his hand awkwardly, putting things in perfect order, repeating after people, and always smiling happily without any burden in his life. And Wen Zhang portrayed his character spot on. You will just fall in love with his naive and childlike character. This young actor did a lot of homeworks though. In order to understand the way of thinking and the gestures of autism people and to portray his character well, he visited an autism school everyday to observe them. He also went for swimming everyday, as his character is an expert swimmer. The amazing thing is this actor previously did not know how to swim, and finally he can become an expert swimmer himself. Those are the efforts of an actor that needs to be appraised.

The chemistry between Jet Li and Wen Zhang itself was great, with a heart-warming relationship between a father and a son, that will inspire you to have the same relationship in real life. You will smile when you see them playing together, but at the other time, you will feel your heart shaken, or even wipe your tears, when you see them crying and suffering due to their unfortunate lives.

Kwai Lun-mei, a Taiwanese young actress, played the character of Ling ling, the love interest of Dafu. She takes a role as a clown girl of a small circus, visiting and performing in the Ocean World. The friendship between Dafu and Ling ling was a sweet thing to watch. Kwai Lun-mei also sang one of the soundtrack of this movie.

One point I must highlight here is regarding the pace of this movie, which was rather slow. Some of the scenes were even felt repetitive, as the director felt it was necessary to show the depth of their relationship and to convince the audiences regarding the pains they are going through.

Nonetheless, this is a good drama, that will make us to value the times that we have on earth, and to value the relationships that we have within those limited times, especially with the people that we love. It will make us think and do a reflection of our own lives. Don't find yourself one day to have to say "Good Bye", while there are still many important things that you haven't done to your loved ones. (MJ)

Soundtracks from OCEAN HEAVEN: (To not exit this page - please open the song in new window with right click)
- Shuo Le Zai Jian (Say Goodbye) - by Jay Chou
- Hai Yang Tian Tang (Ocean Heaven) - by Kwai Lun-mei
 

Sabtu, 06 November 2010

RED (2010)

MyRating: YY1/2

Director: Robert Schwentke
Cast: Bruce Willis, Morgan Freeman, John Malkovich, Mary-Louise Parker, Hellen Mirren, Karl Urban, Julian McMahon, Ernest Borgnine, Richard Dreyfuss, Brian Cox
MPAA: Rated PG-13 for intense sequences of action violence and brief strong language

An action comedy based on the D.C. Comics graphic novels created by Warren Ellis and Cully Hamner. Bruce Willis is Frank Moses, a retired CIA top agent, whose quiet retirement life is suddenly disrupted, when he is hunted for kill by the Agency, lead by the CIA agent William Cooper (Urban), due to the secrets he knows in the past. Realizing the situation he is in that will not only endanger his life, but also the people he knows and contacts, Frank has to save Sarah Ross (Parker), a customer service agent working for Frank's pension office in Kansas City, who is accidentally dragged into his situation. As Frank frequenly chats and flirts with Sarah on the phone to fill his spare time and loneliness, this will automatically put Sarah as the hit target.

But Frank is apparently not the only one being hunted. His fellow retired top agents, Joe Matheson (Freeman), Marvin Boggs (Malkovich) and Victoria (Mirren) are also on the list, as they are all being framed for assassination. Together they team up to fight back and embark on a cross country mission to break into the top-secret CIA headquarters and to end the conspiracies. Using their experiences, tactical combat skills, and teamwork, the team prove to be as deadlier as the pursuers, as they are RED - Retired, Extremely Dangerous.

There was so many excitements revolving around this movie due to its top rated and high profile stars. Bruce Willis back to action, plus Academy Awards' winners and nominators Morgan Freeman, Hellen Mirren and John Malkovich., all in one screen. A dream cast and a dream team. It was a fun movie as it was supposed to be with these abundant stars. The movie started very promising as the story introduced Bruce Willis's lonely character and the actions he was soon to be involved. The characters were also interesting. But somehow as the story progressed, the story started to loss its gripping anfd interest for me. At some points of time, I even think that the story felt stagnant and a bit boring.

The thing that kept my interest on was actually the stars, who were indeed fun to watch. Mary-Louise Parker played her character very well, that made her Sarah Ross character to become very lovable for the audiences. John Malkovich was great and hilarious as the paranoid ex-agent, whose craziness and brilliantness were seemed to be in a very thin line. Morgan Freeman and Hellen Mirren also shared the fun times together. And Bruce Willis was cool in his role, as this is the role and zone that suited him fine. While Karl Urban also gave a decent performance as the hunter, to share the same screen with all those big names.

There were quite many actions, but no really spectacular ones, as most of the actions were packed with comedy. So, do not expect very serious actions, but do expect some over-the-top comedy actions. The most fun one for me was the scene where Bruce Willis and Karl Urban has to fight and struggle with each other in the office. That was a good one.

This movie is worth to watch for its stellar casts. It was fun, and I know many people loved this movie, but still not fun enough for me, as I think the story could have been better. (MJ)

Jumat, 05 November 2010

Friday Flash - Twitching


Apologies for the lack of Friday Flash last week, I was away to That London. We nearly didn't have one this week either. I've been working on a completely different story, but it blossomed (as they so often do) into something much too big to finish in one week, and needs far more work before I can present it here.

Then this morning, my mind returned to an idea I've been kicking around for a while now, looking for a way in. Suddenly it came to me, the opening line. Sometimes an opening line gives you the whole story. This one did. The title took a little longer. It might very nearly have been called Birdwatching, but that seemed a pun too far. Twitching, a euphemism for the same activity, seemed to work better...




Twitching



He thinks she’s pretty. She thinks he’s a rapist.

He sees her most evenings, walking her dog on the common. It’s a Westie, a wiry little bundle of fizz called Jake. It barks at him sometimes, but not in an aggressive way. Sometimes he puts his hand out and waggles his fingers and the dog jumps up to try to sniff them or lick them, until she tugs it away. He’s more a cat person himself. He’s got three back home: Blanche, Belle and Barry. Mum always laughs that he named the new kitten called Barry. He bets she’d laugh at that too, if she ever stopped to chat. She’s not the sort though. He’s tried saying ‘hi’, but she turns her head and pretends not to hear him. Some people are like that. They don’t want to be bothered. You have to respect their wishes.

He’s always out here, just hanging around. There’s obviously something wrong with him, she thinks. The way he dresses for a start – that ratty old bodywarmer, like a continental quilt from the 80s, the woolly hat, the unkempt beard. Care in the Community written all over him. If he was just out walking maybe he wouldn’t seem so dodgy. But it’s the way he loiters, just stands and stares at stuff – up in the trees, or over in the bushes – all shifty and furtive, like he’s looking for a quiet place, like he’s planning… something wrong. She bumped into him coming out of the rhododendrons last week, on the far side of the park, where the common meets the fields. Afterwards she wondered, if Jake hadn’t been there - sometimes she lets Jake off his lead, lets him run where he pleases, forage, investigate – if Jake had been over by the trees looking for squirrels, would this weirdo have seized his chance? Grabbed her and dragged her into his fetid little den, pushed her down and…What the hell was he doing in those bushes anyway? Playing with himself, probably. Watching her and playing with himself. It wound her tight inside just thinking about it. People like that, they shouldn’t be out in the world. They ruin it for everyone.

He likes to watch the birds. Sparrows and robins, great tits and blackbirds. Even the magpies and pigeons and jackdaws, the birds most people dismissed as ugly or raucous, pests, he could watch them for hours. They’re so amusing, with their crazy little missions – finding food, collecting twigs to build nests - and all the many different ways they flew. Soaring and gliding, swooping and darting, fighting the wind or bobbing and singing in the branches. The swallows are his favourites. He hates it when they leave after the summer. They were such characters – mental. It was almost kamikaze, the way they fly. Reckless, certainly. He’d love to be reckless, but he’d worry too much about the consequences. He’s worked in the same job for 16 years now, at the same office in the same town. He doesn’t enjoy it, but he knows it’s safe. Feeling safe is important. It may seem dull, but he doesn’t exactly want for excitement. He saw a jay last week. They’re pretty rare in this part of the country. Such gorgeous colours. It flew into the bushes and he tried to follow it. Ridiculous really, like all that crashing around wouldn’t scare it away, but he couldn’t help himself. Seeing that bird, it made his week, it really did.

Her cousin Julia was raped, three years ago now. She was walking home late from a club and hailed an unlicensed minicab. She didn’t know it was unlicensed at the time, of course. He drove her onto some waste ground behind the cooling towers. When she tried to get away he punched her in the face. Julia changed completely after that. She used to be such a laugh. That bastard took the laughter from her, along with everything else. She thinks of Julia sometimes when she’s out here by herself, especially when she sees him. It makes her shudder what some people are capable of.

She made him jump when he came back out of the rhododendrons, he hadn’t expected to find anyone there. It was embarrassing – she probably thought he’d gone for a pee or something. He wanted to explain about the jay but then her dog started yapping and she yanked it away, giving him such a look… he felt bad afterwards. He hadn’t meant to scare her. She was a very attractive young woman – shapely, not like the stick insect joggers or the prim, pram-pushing yummy mums who circled the playground like gargoyles. She was the most attractive woman he saw out here on the common. If he had a girlfriend, he’d pick someone like her. If the choice were his. If he was even remotely the sort of bloke women went for. If he didn’t still live with his parents at 34. But if wishes were horses and dreams were dragonflies, he’d be soaring free with the swallows and flying down to South Africa to enjoy the winter sun.

On the day she twists her ankle, he’s standing out on the heath, gazing off into the distance with his hands in his pockets and his hat pulled down over his ears. She can’t help but stare at him, though not in the way he’s always staring at her. More like the way you stare at an animal in the zoo. Not a cute animal like a meerkat or a lemur either – this guy’s a tarantula, a rat, or a boa constrictor. You don’t want to get too close.

And that’s when her ankle goes, pain shooting up her leg and spiralling through her whole body. In a heartbeat it takes her breath, her balance, and her consciousness. She screams as she faints, thudding to the earth like a sodden blanket.

He hasn’t even seen her till she cries out. He’s watching a heron grace the skyline, mesmerized. It’s an effort to turn away from something so beautiful. Then he sees her and his heart’s in his chest. She’s fallen on the rocks where the dry stone wall’s come down, right across the path, still waiting to be rebuilt.

He runs to her through the ferns, splashing where the grass turns to mud, but he’s not worried about that – he’s wearing wellies. By the time he gets there she’s just coming to. Her coat’s fallen open to reveal the lacy flirt of cotton and skin below her neckline, and for a moment, just a moment, his eyes are snared. He can’t help himself. He’s only human. Jake the dog is barking, but not at him. Poor little thing, it’s worried, that’s all. He starts to speak, reaching out to help her up – and that’s when she reacts. Faster than any bird. He doesn’t even see it coming.

It takes a second to work out where she is, how she got there, what exactly happened – and then the pain reminds her. Her ears are ringing and her head is full of wool. Not cotton – wire. The kind you use for scouring pans. It hurts so much she wants to puke. Then she sees him. Standing over her. Staring. Leering down her top. Reaching out his big, sweaty rapist’s hand—

“Are you all—?“

She grabs the rock and swings it upwards, straight into his groin, putting everything she can into the blow. She’s still weak, shaken, but it does the job. He goes down fast. Even faster than she did. He doesn’t so much scream as mewl. Like the animal he is. She struggles to stand, before he can recover, her ankle protesting, but she can’t listen to that now. You only get one chance to fight back, to save yourself from something like this. You only get one chance and you’d better damn well take it. She forces herself to walk, hobbling, and every step breathes fire. The pain is so bad, she just wants to lie down and call an ambulance from her phone, but she can’t take the risk. He could spring back up any moment and come after her, madder than ever. If he catches her after that, there’s no telling what he might do.

But he’s not getting back up. Not now anyway. He must have struck his head when he fell. There’s blood, she realises, there’s blood on the stones where he lays, twitching, in the late afternoon sunlight.



Kamis, 04 November 2010

TAKERS (2010)

MyRating: YYY1/2

Director: John Luessenhop
Cast: Matt Dillon, Paul Walker, Idris Elba, Jay Hernandez, Michael Ealy, Tip "T.I." Harris, Chris Brown, Hayden Christensen, Zoe Saldana
MPAA: Rated PG-13 for intense sequences of violence and action, a sexual situation/partial nudity and some language

A group of professional and well organized bank robbers, consists of Gordon (Idris Elba), John (Paul Walker), A.J. (Hayden Christensen), Jake (Michael Ealy) and Jesse (Chris Brown), break their own rules when a former team member who has just been released from prison, Ghost (Tip "T.I." Harris), comes to them with a plan to rob an armored vehicle carrying $20 million. Their rule is never to execute a robbery without a proper and detail planning, but this time, even though their time to plan everything is short, the money involved is just too big to be pushed away. And this may be their biggest heist ever. But the flaw of their rushed plan is ready to strike them back, as not only they are endangered by a potential revenge plot from Ghost, who felt being left alone when he has to serve time in jail, but also they are intervened by two unexpected reckless cops, Jack (Matt Dillon) and Eddie (Jay Hernandez), who may destroy their whole grand plan.

A good heist movie with an interesting ensamble cast. The story was nothing new, but somehow it could grab my interest to follow the storyline till the end. The movie was also not perfect, with some cliche and stereotype, but it entertained. And the casts were fun to watch, even though many of the characters were not fully developed, but with one reasonable reason, there were just too many characters. And the director seemed oblige to give all of them enough screen time, by giving most of the characters their own problems to solve in the movie.

The movie did not lack of actions. It has plenty. And when it came to fast paced action, it could came with a good one. The long chase scene between Matt Dillon, Jay Hernandez and Chris Brown was definitely the one. That was a very exciting and adrenaline-pumped scene. You will never believe Chris Brown (yes, the singer) could run that fast. I have my complains though, for the actions in this movie. The shaky camera works and too many close-ups when it came to action did disturb the enjoyment. And the idea of putting loud music behind a major shootout scene did also ruin the moment a little bit for me. The decision taken by some of the characters while facing a no way out situation near the end of the movie was also a bit too fast.

The actings were quite decent. The most 'annoying' one was Tip "T.I." Harris (the rapper). Zoe Saldana did not have an important role here with a small screen time, as she was only the supporting actress in this movie.

This movie was an example of how an above average script and direction could make the movie to work and entertain as it should. (MJ)

The Girl Who Kicked The Hornet's Nest




And so I reach the end of the Millennium Trilogy, and mourn the untimely passing of its author, Stiegg Larsson, before he could continue the adventures of Lisbeth Salander any further.

The third and final tale of the girl with the dragon tattoo is a curious one. As with other famous trilogies, it's much more closely connected to its predecessor than the second episode was to the first (think Empire / Jedi), working as a direct continuation to the cliffhanger ending of the previous novel. It also makes the somewhat ridiculous climax of The Girl Who Played With Fire slightly less so, as Lisbeth spends the majority of this book in hospital recovering from the dramatic injuries she sustained during the showdown with her father.

Not only is Lisbeth hospitalised, she's also under arrest and facing trial for attempted murder (among other charges), so the plot this time is dedicated almost entirely to Mikael Blomkvist's quest to clear her name. There's a satisfying subplot in which Lisbeth (despite her confinement) investigates a stalker who's harrassing Blomkvist's former partner Erica Berger, but other than that the eponymous heroine takes a passive role while the rest of the cast carry the action.

Action is still the weakest area of Larsson's writing though, the investigative stuff proving far more exciting, the history of Sweden's secret police far more engrossing, and the real dramatic climax takes place with Lisbeth's day in court... a final violent showdown with her brother, awol for most of the novel, feels tacked on and unnecessary. It'll no doubt work better in the movie which will sadly have to jettison much of the political intrigue, but was Larsson really writing with an adaptation in mind?

Minor gripes aside, the Millennium trilogy remains one of the most exciting series of thrillers I've read in recent years, well deserving the publishing phenomenon status it's achieved. I have gorged myself on these books, and would have happily done so for many years to come.

Rest In Peace, Stieg Larsson. You deserve it.



Rabu, 03 November 2010

Giddy London - Is It Home Of The Free, Or What?





It's 20 years since I last set foot in That London (6th Form Art Trip - kinda like The Inbetweeners without the comedy) and the weather hasn't improved, nor have the queues... look at the grey skies outside the Natural History Museum (or "National History Museum" as some muppets behind us insisted on calling it) where we waited 20 minutes to get into the Wildlife Photographer of the Year exhibition...



Well worth the wait though, particularly the winners.

Though we missed out on tickets to see Jeremy Dyson's play Ghost Stories as part of our Halloween trip, we more than made up for it with a big screen showing of The Shining in Hampstead's Everyman Cinema where tea and cakes are served to your seats... they know how to live in That London. Scarier still, who did we find sitting directly behind us in the cinema...? Only Frank from Donnie Darko...



Best use of a halloween costume ever, congrats to the lad who was wearing it - and sweating buckets for his art. It is rather hot in That London. Being from the frozen north, we forget what tropical conditions the south basks in - particularly on the underground. I've never been a fan of the tube, those hot winds and flashbacks to An American Werewolf In London (and Creep) bring on the worst of my claustrohypochondromisanthrobia. They really are a marvellous invention, but I couldn't travel on them in rush hour. And as we were staying in Belsize Park (a pleasant, leafy suburb where house prices undoubtedly start at 1 kidney and your eternal soul and go up from there), I was also forced to endure subway elevators. Maximum capacity 50 people!?! Thank god for quiet weekend traffic!

Still, travelling by road in That London doesn't seem much safer. Even the double yellow lines have been dyed crimson from all that spilled blood...


In the end, after fighting back the sloane-zombies in Harrods Food Hall (sauteed otter, anyone?), we were glad to get out and enjoy a little leafy greenery with a walk on Hampstead Heath. Here, on the third day of our visit, we heard our first Actual Genuine Eastenders Accents. Until then all we'd heard was American, European and the occasional comedy Northerner (that might have been me). Luckily Louise joined me in comedy Northerner mode when, on searching for a restaurant in which to dine, she screamed, "look - a Chinese!" just as one of its employees stepped outside for a fag. "I'm sorry," I explained to the potentially-offended Eastener, "we're from Huddersfield." He smiled, nodded, and replied "Cor blimey, guv - no worries, mate" or some other non-Northern slang we had to resort to our guidebooks to translate.


That London, then. A nice place to visit (really, we had a great time). But I wouldn't want to live there...



 

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