Minggu, 14 November 2010

DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME (DI RENJIE) (2010)

MyRating: YY1/2

Director: Tsui Hark
Cast: Andy Lau, Li Bingbing, Carina Lau, Chao Deng, Tony Leung Ka-fai

A Chinese epic action-mystery film by Tsui Hark, an influential Hong Kong director and film producer (A Better Tomorrow, A Chinese Ghost Story, The Killer, Once Upon A Time in China, The Lovers, Shanghai Grand, Seven Swords) about Di Renjie, a famous official from the Chinese Tang Dynasty and Empress Wu Zetian's Zhou Dynasty, adapted from the book written by Lin Qianyu titled Detective Dee and the Mystery of the Phantom Flame. The film stars the Hong Kong superstar Andy Lau (As Tears Go By, A Moment of Romance, Running out of Time, Infernal Affairs, House of Flying Daggers) as the exiled Detective Dee (Di Renjie), who is assigned by Empress Wu Zetian (Carina Lau), the only woman in the history of China to assume the title of Empress, to investigate a series of mysterious deaths of officials dying instantly due to burning by flames. Accompanied by Shangguan Jing'er (Li Bingbing), a highly skilled martial artist and the trusted maid of the Empress, Detective Dee has to solve the dark mystery that may threaten to delay the inauguration of Empress Wu, and before there are more victims.

Detective Dee is the answer from China to the Hollywood's Sherlock Holmes. A smart detective who solves big cases. This US$ 13 million budget movie did look grand and lavish, as those of the epic movies of Tsui Hark, with great casts, production design and art direction. The settings, costumes and cinematography were beautiful, including the setting of the giant Buddha bronze statue overlooking the imperial city of China. But somehow, the story did not really live up the promising premise, with some plot holes and tedious moments. It was entertaining, but not as much as I expected it to be, and it was purely because of the not so perfect storyline. This movie also used a lot of CGI, some made the film to look beautiful, but some was not that good, including the rough CGI of the burning flames.

The casts were a feast to the eye though. Andy Lau has been my favorite Hong Kong's actor and pop singer for years. Always love his acting and songs, hardworking ethics, humble and charming personality, charitable spirit, and his good EQ when dealing with people, his fans and the press. He is a living legend and an actor who loved by all ages. And I think he played Detective Dee well. The supporting casts were also gave good performances, including the beautiful Li Bingbing (there was a sexy scene between her and Andy Lau here), Carina Lau, Tony Leung Ka-fai and Chao Deng as the albino Supreme Cop officer.

The martial arts action and fighting sequences were choreographed by Sammo Hung, interesting but not outstanding, and a bit too typical for these kinds of movies, with lots of flying and slow motions. It was still far from the satisfaction that we got when seeing the martial arts sequences of Ip Man.

In overall, this was an interesting movie and quite original in the theme, a detective in the ancient era of China, but I wish it could have been better in the storyline. One thing that I sense is, there might be a sequel for this movie, especially if it is successful. A typical Tsui Hark's. (MJ)

Jumat, 12 November 2010

THE SOCIAL NETWORK (2010)

MyRating: YYYYY

Director: David Fincher
Cast: Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Armie Hammer, Max Minghella, Rooney Mara, Brenda Song
MPAA: Rated PG-13 for sexual content, drug and alcohol use and language

A smart movie about a smart man that has revolutionized the way we communicate socially. So significant, it may have changed our culture. Yes, a swift from how people used to interact by meeting each other face to face and pat on the backs, to a world where people seem to satisfy by “chatting” with each other in the virtual world, is definitely a change in human culture. Never before sitting in front of a lonely computer can “add” you incredible amount of “friends” in a short period of time, than what you can do by walking and introducing yourself on the streets, or hanging out at a club. It’s the world where the difference between “share” about your life and narcissism is just as thin as paper. And expressing yourself is just as simple as “write on” your “wall” and “post” it, which is actually giving a “notification” to the world that you need attentions. It’s the society where silence is no more gold, instead, people appreciate others who like to “comment” on their never ending “status”, or “like” whatever silly things they said, or secretly “send” them “a message” showing that you care. It’s the era where privacy is no privacy at all. Your personal "profile" and "info" are for public consumptions, as you can “update" your so called ongoing online daily biography, and “upload” tons and tons of your “photos” and “tag” them to the whole world with pride, including maybe even your most personal and intimate ones.

Facebook is a phenomenon. It’s not the first social network website ever created, as there are Friendster and MySpace, which were introduced much earlier, but it is definitely the biggest, the most popular, and the most sustainable one. Founded and first launched in February 4, 2004 by a Harvard student Mark Zuckerberg, together with his college buddies Eduardo Saverin, Dustin Moskovitz and Chris Hughes, by July 2010 the members of Facebook has reached 500 million users.

The story of The Social Network is revolving around the earlier days of Facebook and the lawsuits following years afterwards (told in both backward and forward), spiced up with a love and hate relationship between Mark Zuckerberg (Jesse Eisenberg) and Erica Albright (Rooney Mara), a fictional character, who ignites the creation of Facebook at the first place. It all started with “Facemash”, a website created by Zuckerberg in October 2003 by hacking the Harvard's computer network system to download thousands of students' ID images. The female students' photos are then put together in pairs in the website, where male students can choose which one of the two is more attractive. That was the beginning of the popularity of Mark Zuckerberg as an inventor, as well as a trouble maker.

The talent of this whiz kid is unbearable. When he and his friends created "Thefacebook" (later on named only "Facebook"), an online social networking website initially exclusive to Harvard University students, the website suddenly 'booms' more than what they've expected and quickly spreads, not only within Harvard, but also to other colleges, and then even crosses to other countries. And the rest is history. Initially invested with only US$ 1,000, the company is suddenly worth US$ 15 billion in just 4 years time.

However, behind the success, there are conflicts, followed by million dollars lawsuits. Zuckerberg is sued by the Winklevoss Twins, Cameron Winklevoss and Tyler Winklevoss (both played by Armie Hammer) and their business partner Divya Narendra (Max Minghella) for stealing their ideas from their not yet launched date website named HarvardConnection, in which they have a deal with Zuckerberg to help them created this website, before Facebook was invented. The success also brings the damage to the partnership and friendship between Zuckerberg and Eduardo Saverin (Andrew Garfield), especially after Sean Parker (Justin Timberlake), a young entrepreneur who founded Napster, takes a big role to transform Facebook into real business. The dispute between this two best friends also ended with Saverin suing Zuckerberg to the court. So for Mark Zuckerberg, there was a price to pay for the success of Facebook, which was to lose friends.

This was an outstanding movie with interesting storyline and smart dialogs, thanks to the great screenplay by Aaron Sorkin. The script was adapted from Ben Mezrich's 2009 nonfiction book The Accidental Billionaires. The film was also so exciting to watch due to the brilliant direction from David Fincher (Se7en, The Game, Fight Club, Panic Room, Zodiac & The Curious Case of Benjamin Button), with its solid characterization, dynamic pictures, and well paced rhythm from the beginning till the end. Fincher has proved himself one more time that he is a director who could continuosly make great movies from not so easy materials to develop. The Social Network was definitely not an easy material to tell (it is interesting as everybody knows Facebook, but not easy to tell it in a captivating way), however both Fincher and Sorkin did it just right. The result was a beautiful and adorable film. Both of them definitely need recognitions for their works on this movie.

The most interesting things in this movie were the solid characters and the great performances from the actors, plus the clever dialogs they threw at each other. Jesse Eisenberg proved that he was the perfect choice for the role, as he was successfully and awesomely personified the character he played. I don't know how is Mark Zuckerberg in the real life, but the way Eisenberg thinks, speaks, and behaves has created the character I needed to know about Mark. His character was cool, smart, a good debater, could be pain-in-the-ass, but at the same time able to gather our symphaties that afterall he is just a human being. The dialogs and argumentation between Eisenberg and the Lawyer near the end of the movie was superb, very well written dialogs and very well said by Eisenberg. While Andrew Garfield also showed his good acting capabilities, as his character was the emotion of this movie, and he played it well. It was a pleasant surprise to know that the next Spider-man could act. After watching him here, I am convinced now that the Spider-man's producers have made the right choice by putting him in the spider suit in 2012. Even Justin Timberlake gave a good performance as Sean Parker, a flamboyant entrepreneur who likes to talk about himself. These three central characters and their conflicts really made this movie fun to watch. The Social Network was definitely one of the best movie this year. A solid and entertaining one.

What made this movie so relevant was also because it was released in the right time. Facebook is on its peak popularity now. The movie is also an untold story about the founder that not many people know, even though parts of the story was fictional. Other more thing that made it so excited when watching the movie was because we know well about Facebook and how to operate it, so when the movie told the invention of the Facebook's features one by one, it's like opening a history book that we already know.

The bad thing is, it’s addicted. Online social network did, just like cigarettes and drugs, but we just don’t mind. If you are smiling and agreeing with what I said, then most probably you are one of those addicted ones, who likes to do all the things that I said in the beginning of this review. And if you do not agree with me, then you can “poke” me as much as you like. (MJ)

Friday Flash - Four Feet Under



I didn't get to see the recent Ryan Reynolds movie Buried at the cinema - guess I'll have to wait for it to come out on DVD - but it did remind me of this short story I originally wrote for Elephant Words back in April 2008. Stories about being buried alive go right back to Poe, but I hadn't ever read one about a character who did it voluntarily (unless you count the end of the movie The Vanishing). Why would somebody choose to do that...?

I guess you'll have to read on and find out.





Four Feet Under


It’s just something to do.

I mean, everyone’s taken drugs and stolen a car and shagged someone else’s boyfriend in the middle of Beaumont Park on a wet Saturday afternoon. There’s nothing unusual about robbing fags from the offie, or spray-painting your names on the railway arches, or drinking till you throw up all over a policeman. We all did that when we were 14, and now the little kids are doing it – we have to move on, or we become a joke.

You want to find something unique. Something no-one else has done. Something no-one else has felt. And when you hear that soil falling over your head, tumbling down onto the lid of the box – the patter that becomes a thud that becomes a dull and distant shuffle, then the heavy silence that follows… I can’t describe it, but it’s like nothing else you’ll ever experience.

This is my fifth time now, and it’s been a while. Too long. Like any other buzz, you get withdrawal if you don’t… you get cravings. I know some of the others, Wayne and Lisa in particular, they think maybe we should pack it in. Especially after what happened with Townsey. But I couldn’t give it up. It’s so boring round here, you’ve got to do something or else they might as well plant you for real, a couple more feet down, or burn you up and toss the bits off the top of Stodely Pike. Besides, I still think Townsey’s having us on, trying to shit us up. That’d be just like him. And if we were all to just pussy out now, he’d really have the last laugh, wouldn’t he?

It was Townsey who came up with the idea, at his Uncle Michael’s funeral. Old boy was doing 110, undertaking a lorry on the hard shoulder of the M62 when he sneezed ‘cos the sun was in his eyes and lost control of his Audi. It would have been easier to cremate him, considering how many bits he ended up in, but Uncle Michael had always insisted on being buried, so they pieced him back together best they could, stuffed him in a box, and dropped him in the ground.

“You ever wonder what it must feel like, Jules – to be stuck down there, all that earth on top of you, no way out?”

“I think he’s past noticing,” I said, watching a crow fight with a stick and trying to tune out the vicar’s dull didgeridoo of a voice.

At first I thought maybe Townsey had taken what I said the wrong way, like I was taking the piss out of his Uncle Mike being dead or something – then I recognised that look on his face for what it was. The look he’d had when he used to dare us to run across the tracks when he knew the Intercity was coming; the look he’d had when we stole our old Biology teacher’s 4×4 and drove it into the canal (Wilco tried to get us all expelled, but there was no way he could prove it was us); the look of someone who’d made Rob climb to the top of St. Agnes’ to tie an eight inch dildo onto the weathervane. Some of the crazy things Townsey made us do, they were cool. Others were just stupid. For a long time, I’d gone along with whatever he said. Lately though, I’d started to say. If I thought it was a shit idea, I told him. I reckon he expected me to kick off about this one too… but I didn’t. I saw the potential. Right from the start, I had a feeling. He was onto something here.

“You’re fucking mental!” Turns out Rob was the dissenting voice this time. “Who d’you think you are, David fucking Blaine?” Course, by then it was already way too late to back out, because Townsey had it all planned. The location, the equipment, everything. There was an old cemetery up past Whittaker Woods. They’d filled it up years ago – and I mean years, there wasn’t a stone in that place dated later than 1952, and many of them were so old the date had worn clean off. Townsey had been scouting it out nearly a month before he took us up there.

“There’s a groundskeeper comes up once a week, supposed to keep the place in order, but I’ve watched him and he’s a pisshead. Spends most of his time in that shed down the bottom, smoking some bad-smelling shit and wanking off to the Daily Sport.”

“Eurrrgh” said Lisa, “Townsey!” Like she was all Miss Prim-and-Proper. Like we’d all forgotten how much she got off on standing in the trees on the edge of the dual carriageway and flashing her tits at the lorry drivers, trying to get them to jack-knife. Scrubber.

That’s when Townsey showed us all the stuff in the back of the van. Two spades, a pickaxe, the scuba gear – the box.

“Where the fucking hell d’you get that?” said Rob.

“My Uncle Jason used to dig drainage ditches for that farm up on—“

“Not the pick, you vadge!”

Townsey just grinned. “Well obviously, Robert, I stole it from the undertakers. Security’s a joke in that place.”

“Shouldn’t be,” said Rob, “people are dying to get in there.” Wayne punched him hard on the shoulder, giving him a dead arm. “Ow! Twat!”

“You carried that out all by yourself?” I asked.

Townsey proceeded to explain how Wayne had helped him, but that it was a two-man job and there was no need for the rest of us to know anything about it until the time was right. Wayne confirmed the story, adding that Townsey had also taken the letters ‘M’, ‘M’ and ‘O’ from a floral ‘In Memory’, plucked out the carnations from the top line of the ‘O’ and given them to his mum for her birthday. I didn’t like the idea of him going round behind our backs like that. That wasn’t how we were supposed to work, and Townsey knew it.

“And the scuba tank?” said Lisa.

“My cousin Billy used to dive for England. Haven’t I ever told you?” Townsey was grinning, and that usually meant he was bullshitting, but you never did know. It pissed me off, how he couldn’t ever give you a straight answer to anything. How there was always something else going on in his head that the rest of us were never let in on.

So this was the plan: we’d find an out-of-the-way grave, somewhere out towards the back of the cemetery where the grass was longest and an absence of empty White Lightning cans meant the groundskeeper never ventured; we’d dig down till we struck the top of the coffin originally buried there (none of us wanted to go messing around with corpse crumblings); then we’d lower our box in on top of that. One of us would get in the coffin, with the scuba tank and an old blanket for comfort (there was no debate about who was going first), then the rest would shovel the dirt back over and leave them to it.

“How do you know the air’s going to last you all night?” said Rob, after finishing up his Darth Vader impressions with the respirator mask.

“Research, cockstain – I looked it up on t’internet. You don’t think I’d let you fuckholes bury me alive without knowing exactly what I was getting myself into? Without the tank, you’ve got approximately one hour’s oxygen before you start breathing your own CO2—“

“Fucking hell, Townsey – you sound like Wilco! Next you’re gonna have us dissecting rats or lighting our farts with Bunsen burners—“

“Then we’ve got up to 12 hours breathable air in the tank – bearing in mind we’re hardly going to be exerting ourselves, just lying around and listening to the worms sing.”

“I dunno,” said Rob, “sounds fucking dodgy to me. What if something goes wrong with the tank, or—“

“And in case of emergency,” Townsey got out his mobile and waved it in Rob’s face, “ta-fucking-da!” If he started to feel faint, or panicky (like Townsey would ever admit to panic, even in a situation like this), or even if the whole experience proved duller than Saturday night in The Rat & Bottle, he’d simply dial us up and get us to come dig him out.

“I’ll give you five minutes,” said Rob, which either indicated he didn’t know Townsey very well at all – or that he did, and was using a clever goading tactic to make sure Townsey saw this through till dawn. Personally, I didn’t think Rob was that smart, though he did like to think he was. But Townsey – I was starting to think Townsey was way too smart for his own good. Certainly too smart for ours.

Anyway, Townsey got in the box and we filled the earth in on top of him, then we all went off to sit in the van like good little soldiers and wait. We were scheduled to dig him up at 7am (any later, and we risked being caught by Saturday morning ramblers pissing about in the woods). Wayne and Helen watched a film on Helen’s phone. Rob did mental agility shit on his DS. I sat and stared out the back of the van and wondered what it was like, to be down there in the silent dark, to have an ancient dead person rotting away underneath you, to put all your trust in your mates that they wouldn’t just leave you down there where no-one would ever find you again…

Trust is a big part of this, see. Of what we’ve always been about. People out there – parents, teachers, your so-called ‘authority’ figures… They all lie. They lie to stop you living the way you want, being and doing the things you want. You can’t trust any of them. But your mates, you’ve got to trust your mates, haven’t you? To put your life in someone else’s hands and known they won’t let you down… that’s a powerful thing. It makes a bond, a bond that’s going to last your whole life. So when we’re, like, 40, and everyone around us is sagging on the outside and dying on the inside, we’ll still have these times to keep us young, to keep us alive. Even when they stick us in the ground for real (and no way am I going to let them burn me, not even if I go tomorrow are they burning me), we’ll still have done these things, together, that no-one else has ever done. Nobody can take this away from us.

Of course, what happened with Townsey, something like that’s going to shake your trust – going to make you doubt… but personally, I still think he’s testing us. To see if we’ll crack. To see if we’ll tell anyone what we were doing… ‘Cos everyone’s asking. Where he is. Where he’s gone. When we last saw him. We can’t disappoint him now, we can’t let him down – that’s the way I put it to the others, anyway. It’s not the way I see it myself, but it’s what they wanted to hear. I told them whatever I needed, to get them to put me down here again.

I know they don’t appreciate it the way I do. Townsey did, you could see that on his face the first time we dug him up. He’d felt something… something new. That’s when I knew I had to go next. Wayne, Lisa, Rob – they could take it or leave it. They’d just as soon do a shitload of K and go for a psychedelic dip in the res’, or nick another GTI and razz it round the multi-storey. They won’t admit it, of course, because they know it’s different for me. I keep telling them, maybe they just need to try it a few more times, maybe something will click and they’ll feel it like I do – like Townsey did – but even if they don’t, I don’t care. As long as they help me do it. As long as they’re here to dig me out when the tank’s getting low and answer the phone if ever I call – not that I ever would, but…

It’s getting near time now anyway, I can tell without looking. The others, they watch the clock when they’re down here. They light up their phone and keep checking the gauge on the tank. Rob plays games, Wayne surfs porn and watches old Jackass videos on youtube, Lisa listens to Fall Out Boy and My Chemical Romance, which if you ask me is one step on from the coffin – but whatever gets you through the night. None of them really appreciate it. They do it because it’s what we do. If tomorrow we gave this up and started – I don’t know, battering old biddies to death with tennis rackets – they’d go along with that just the same. Some people lead, like Townsey – some people follow. Me, I used to be a follower too, but now – if the rest of them told me they didn’t want to do this anymore… but they won’t do that. Because I’m in charge now. Things have changed since Townsey went, for the better too.

I reckon it’s the quiet I like best. You don’t get this kind of quiet anywhere else, certainly not at home with all the screaming and shouting and… All my life, that’s been my soundtrack. My mum and dad, going at it, every hour of the day and night. School? You certainly don’t get any quiet there. Teachers love the sound of their own voices way too much. And when you’re out with your mates, well that’s when you need to make some noise for yourself, in’t it? You’ve got to make the most of that. Everything we’ve ever done has been loud… all the fighting and the robbing and the fucking… this is the first time we’ve ever done anything quiet. Completely, totally, utterly. Maybe that’s why it’s the best.

When it’s getting towards the end, like now, when I’m just laying here waiting for the slice and thud of the shovels above me, that’s when I start to get sad. I want it to go on, see – I don’t want it to end. I wish I could find a bigger tank, one that’d let me breathe down here a whole day, a week – forever. There could be a tube, they could drop food down and… for a while, I thought about running a tube out of the coffin and up to the surface, so I could breathe through that. Maybe then I wouldn’t even need the tank. But Rob said it’d clog up with leaves and insects and shit, or if it rained it’d flood the coffin and I’d end up drowning before they could get me out. I remember someone saying on the telly how back in the olden days they had these little strings that came up out of the coffin, all the way up through the earth, fixed to a little bell by the gravestone. Then if someone wasn’t really dead, if they’d just been unconscious and they woke up down here in the box, they could pull the string and ring the bell and the gravediggers would know to get them out of there sharpish. Saved by the bell, that’s where it comes from, supposedly. I’m surprised people nowadays don’t insist on being buried with their mobiles for just the same reason. Me, I… I…

Lost my train of thought for a second there. I don’t know, the air in the tank’s getting… shit, the gauge is touching empty. Come on, guys, I don’t want to have to call you. I’m the only one who’s never had to… Wayne had to call ‘cos he really needed a wee, Lisa was having one of those funny breathing things one time and she’d forgotten to take her inhaler down with her, Rob… well, Rob was just arsing about, I think. He reckoned he could hear someone knocking on the coffin – from below. He laid it on pretty thick, too. The others thought… but Rob’s always been a bullshitter. I said that, and he proved me right. Wouldn’t stop laughing about it for days after. Wanker.

Townsey never called us, of course… but in the end, he must have called somebody. That was all Wayne’s fault really. We were doing it in shifts, like they do in horror films. One of us was always supposed to be awake, but Wayne – Wayne fell asleep too. I was the one woke up first, and when I saw it was almost eight o’clock…

“Calm down, Jules,” said Rob, as we rushed back to the grave with our shovels.” He’ll be alright – if he’d felt funny or something, if his air was running out – he’d have rung.”

“Yeah,” said Wayne, “he may be a hardcase, but Townsey’s not fucking suicidal.”

“What if his phone’s not working? What if he didn’t even realise he was running out of air till it was too late…? Lack of oxygen, I heard it can make your brain go funny, it can make you—“

“Townsey’s brain’s always been funny,” said Rob, but he was digging faster now, we all were. The earth’s always softer second time round, it comes up a lot easier, but by then I’m usually ready to go home anyway. I hate it when it’s not my turn. I just want that day to be over so we can get back to me. The first thought I had when we opened Townsey’s coffin and found it empty – well, the first thought once the shock and all that had worn off, once I started to think about how this affected me, and not just… My first proper thought: if there’s one less of us now, my turn will come round quicker.

Anyway, Townsey certainly didn’t dig himself out of there. Which means… even if all this is just another one of his… I mean… whatever reason he’s… he broke our trust. He told someone else. Even if he came back now, we couldn’t let him back in. The others might want to, I don’t know, give him a chance or… but no way. He’s gone now. They have to see that. I have to make them…

Shit. Oh, shit. My head’s getting really – there’s nothing left in the tank anymore, I’m gonna start breathing back my own… I’ve got to call them. I’ve got to call… Maybe it’s not – maybe they’ve just fallen asleep again (though Wayne swore he wouldn’t ever–) Maybe…

Why aren’t they answering? Why…? I’ll try Lisa’s phone, maybe Wayne’s is… maybe the battery’s gone ‘cos he’s always on the net…

No answer. God, who else can I call? The police – do I…? I’m gonna have to… if Rob and the others won’t answer, I can’t… I’m gonna have to call the fucking—

“Emergency – which service do you—“

“Police – ambulance – please, help me, you’ve got to get someone up to the… the old cemetery by Whittaker Woods, I’m trapped – I’m buried, I’m—“

“Can I just stop you right there, young lady? You should know that you and your friends are in real trouble now. Wasting police time is a serious—“

“What? No, wait—“

“While we’re wasting our time dealing with ten or twenty of your stupid prank calls like we have been tonight, we’re not able to deal with genuine incidents where people’s lives might actually be in jeopardy…”

“No, wait, you don’t– I’m dying here! I’m nearly out of… It’s nearly gone!”

“Stop this. Stop this right now. We’ve traced the number you’re using to make this call, and we will identify the owner of this phone, and any other phones that have been used to make similar calls tonight—“

Shit! Shit… what are they…? Hang up. Hang up, they’re not going to… Who else can I…? There’s got to be someone else I can – I don’t want to die down here, I don’t want to—

What? It’s ringing. Oh, thank god, my phone’s ringing – it’s—

Dad?

“Dad, listen – please don’t get angry, please don’t…” Fuck, I can hardly… even talking’s getting… “Daddy, please…”

“Soz, Jules, it’s not your dad. I’m just using his phone right now. Nicked it last night when he was pissed up in The Rat… nicked your mums too.”

Who…?

No, I know that voice. I know…

“Cut the landline into your house too, just in case you were wondering. There’s probably a couple of other people you could call, but even if they believed you… they’re not going to get up here in time to dig you out, now are they?”

“Townsey… T… what are… wh…?” Head feels funny now. Losing… What’s the…? Can’t really…?

“My calculations are correct, Jules, even if me and the others started digging right this second, we wouldn’t be able to get you out in time – and we’re stood right on top of you. Oh well, I reckon if you’ve got to go – this would be how you’d choose, yeah? You were always saying how much you liked it down there. Save your folks on a funeral an’ all–”

“W… W…?”

“Why, Jules? Is that what you’re trying to ask me? I dunno. I suppose I could tell you it’s because I didn’t like the way you’d started questioning every single fucking thing I said, or because you were starting to think you were better than the rest of us, or because... I dunno, this took us a fuck of a lot of work to set up, and I mean… I really don’t know, Jules. What do you reckon, guys? Jules wants to know why we’re doing this. Any…?”

“Yeah. Yeah, I think you might be right, Rob. I think you put it better than us. D’you hear that, Jules? You hear what Rob said? I do hope you can still hear, it’d be a shame if… Say it again, Rob. Say it one more time for Jules, it’s probably gonna be the last thing she hears, so… Go on, mate.”

“Hiya, Jules. It’s nothing… I mean, don’t… It’s just something to do, like. That’s all, Jules. It’s just something to do.”



Kamis, 11 November 2010

Paranormal Activity 2 - What Went Wrong?



Yes, yes, all those of you who hated the first film, you can leave your "I told you so's" at the door. (Yes, Kelvin, I do mean you!)

And yes, all those of you who liked the first film but knew the sequel was going to be pants: ditto.

So, I saw PA2 yesterday, and it was dull. It wasn't rubbish, but it was a huge disappointment after the first film. But... why?

1. They handicapped themselves from the outset by making this a prequel. Or a three quarters-prequel, anyway. The film deals with the sister of the heroine from the first film, and tries its best to develop a backstory regarding where the family's curse comes from. That's all very well, but in doing so it hampers itself - because if anything truly awful happens to the sister and her family for the most part of this film, then the characters in the first film would have been more aware and prepared for what happened to them. Which they weren't... which is why PA2 saves its real shocks for the final 5 minute epilogue which leaps forward in time to after the first film.

2. They go out of their way to avoid using the same shock tactics as the first film. Which is to be applauded... except... they don't actually come up with much to replace them. I spent the majority of PA2 waiting for something to happen. Anything! The first film was a slow-burner, but this didn't even start until the last 20 minutes. By which time most of the audience were tired of waiting for a jump.

3. The night-time highjinks of the first movie were captured by one video camera set up amateurishly on the dressing table. This time the family in question set up a whole houseful of CCTV cams to observe their spooky goings on... though there's actually less to observe. A definite case of more = less, the rule of thumb for all unsuccessful sequels.

4. The low-budget cast of the original were unknowns, and that worked in their favour. Although they reprise their roles here, the main characters are played by proper actors - recognisable actors in the case of the lead, Sprague Grayden, previously known as President Taylor's backstabbing bitch of daughter from 24. Her stage-school brat step-daughter stole even more of the shaky amateurishness that made the first film such a gem.

5. Maybe there's something to be said for the madness of crowds. I saw PA in a packed cinema full of jumping, screaming teenagers. Yesterday I went to a matinee with 10 other people, and nobody even squealed. I heard the occasional yawn, but that was it.

Maybe the true problem with Paranormal Activity 2 is the problem with all horror sequels. What made its predecessor work for me was that I didn't know what to expect. This time I went in with a bunch of preconceived notions... and they really couldn't win. Either they give me what I want, and I moan I've seen it all before... or they don't and I moan about that. You can't fool all the people all the time...


Rabu, 10 November 2010

An Evening With Neil Hannon


I'm enjoying another much-deserved day off, so I'm not going to hang around here writing another blog post nobody will read. Well, not for long.

Last night, we raced off to a packed (oversold, if you ask me) Manchester Academy 2 for an evening with Neil Hannon. Yes, he's still the Divine Comedy, but it's pretty much just him these days: on piano, occasionally guitar, but mostly voice - that utterly distinctive, bastard-son-of-Noel-Coward voice we love so much. Yes, he does get a bit Richard Stilgoe at times these days, but there's nothing wrong with that. He's an artist who sometimes uses humour in his storytelling, or to get his message across... there's really nothing wrong with that, you know.

Great Human League cover too... he should release that.



Selasa, 09 November 2010

blueeyedboy



Watch out folks, it's another book where the hero is a sociopathic loner, an amoral freak, a potential serial killer, and - yes, worst of all - a BLOGGER!

Joanne Harris is an author I have a lot of time for. Not only did she write one of my favourite thrillers of recent years, Gentlemen & Players, but she's also from my hometown of Huddersfield. Local girl done good!

blueeyedboy tells the story of a young man who grows up suffering from the condition synaesthesia. To him, words have distinct, often overpowering, colours and scents. He hears and sees the world unlike anyone else. His brothers are jealous, his mother is a bitter, blackmailing harridan, and the little blind girl next story steals all his thunder. And when he grows up... it's murder.

To say any more would be to spoil the fun. This is a story told by two increasingly unreliable narrators that blurs the line between truth, fiction, fantasy and downright lies in mindboggling fashion. The only problem I had with it was the marketing... I hate it when books promote themselves by pointing out there's "a huge plot twist at the end" (as this does on the back cover). I prefer to find out for myself and enjoy the surprise, rather than spending all my time trying to work out the twist. (It's OK though... I didn't.)


Senin, 08 November 2010

Catching Up


Between going to That London, editing my latest novel (which I've now decided is finished, bar the tinkering, and will be much shorter than originally planned, but hopefully much better for it), writing stories for Friday Flash and Thoughtballoons, and setting up a fake Twitter account to take the piss out of the most annoying man on telly (don't tell anyone it's me)... I've gotten a little behind on my usual blogging subjects. So here's a quick catch-up of some of the things I've seen, done, read and listened to lately...


You know when you see a film and you LOVE it, even though you know it could be much better? RED is the best could-be-much-better film I've seen all year. It's a little slow in places. A little corny. And Helen Mirren is - surprisingly - not very good. But... it has real heart, which is rare for an action movie. The opening sequence is exceptional. Bruce Willis really underplays it - not a smirk in sight. Mary Louise Parker is both hilarious and beautiful (and unlike a lot of women in Hollywood, seems to be maturing without the aid of botox). Malkovich hams it up like he's in panto. Karl Urban proves Bones wasn't a one-off scene-stealer. And amazingly for a film adapted from a Warren Ellis comic, this is the least cynical Hollywood movie I've seen in years. It's a heartwarming feel-good action romp like they don't make any more. No, it's not perfect, but it's a lot of fun. And a damn sight better than The Expendables.


Slightly less feelgood, though still enjoyable in its own way, is the "Lesbian Moms" flick The Kids Are All Right. Mark Ruffalo steals this one with his laidback manchild routine. Much as I admire Julianne Moore and Annette Bening, there's something insufferably smug about their characters that almost tips this film into annoying. Almost, but not quite. It's an adult relationships comedy that does some amusing things, though I really can't credit the Oscar buzz. And it has been saddled with the rubbishest film title of the year - what, they just put The Who on random play and picked the next song up? What was wrong with "My Two Moms"?



Lloyd Cole's new album Broken Record is garnering some of his best reviews in years. I suspect it's down to the fact that Lloyd's dragged a full band along with him this time rather than playing the acoustic troubadour card. I've seen him do that one-man-and-his-guitar act quite a bit over the last few years and it never grows tired... but seeing him perform his greatestest hits (plus the best of the new stuff) accompanied by two other fine musicians really was a treat. Some of the best guitar work I've heard in a long time. No drums though, he hates taking drums on tour - far too much hassle! I don't love Broken Record quite as much as I did 2003's Music In A Foreign Language, but it does feature Lloyd at his literate, world-weary best. Highly recommended, particularly if you get the chance to see it performed live.



I've mentioned the Ben Folds / Nick Hornby collaboration before, but it's worth another plug as it's fast becoming one of my favourite records of the year. Particularly their tribute to veteran songwriter Doc Pomus...


Finally, Comic of the Week comes from my sometime PJANG #4 collaborator, Ryan Taylor. The Grinning Mask is a fun tribute to the old EC horror comics, down to its Frederick Wertham-inspired title. Childhood hi-jinks meet scary monsters - excellent work from Ryan on story and art. Find out more about The Grinning Mask here.

Speaking of PJANG... issue #5 will be heading to the printers shortly, with not one but TWO covers by Nige Lowrey. Here's the first, based on the strip 'The Ex-Men', illustrated by Kelvin Green, to whet your appetite. Second cover to follow soon...


 

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