
The second of Stieg Larsson's Millennium trilogy is just as page-turnery and unputdownable as The Girl With The Dragon Tattoo, though it does stretch credibility to breaking point - or, more appropriately, shoot credibility in the brain then bury it in a shallow grave in the woods. Unlike the previous book, the plot this time lands squarely on the doorstep of our titular, angry-goth-feminist-icon,...